| Dura Navis |
Coleridge |
2 |
0 |
0 |
0 |
| To the Autumnal Moon Autumnal
Moon |
Coleridge |
0 |
3 |
0 |
0 |
| Qua Nocent Docent |
Coleridge |
1 |
1 |
0 |
0 |
| To the Muse |
Coleridge |
0 |
1 |
0 |
0 |
| Destruction of the Bastille |
Coleridge |
0 |
2 |
0 |
0 |
| Progress of Vice |
Coleridge |
0 |
3 |
0 |
0 |
| Monody on the Death of Chatterton |
Coleridge |
0 |
9 |
0 |
0 |
| To the Evening Star |
Coleridge |
0 |
3 |
0 |
0 |
| On a Lady Weeping[;] Imitation From the Latin of Nicolaus Archius |
Coleridge |
2 |
0 |
0 |
0 |
| Monody on a Tea-Kettle |
Coleridge |
0 |
2 |
0 |
0 |
| Mathematical Problem |
Coleridge |
0 |
5 |
0 |
0 |
| Honour |
Coleridge |
2 |
7 |
0 |
0 |
|
Music
|
Coleridge |
0 |
1 |
0 |
0 |
| Sonnet[;] On Quitting School for College |
Coleridge |
0 |
1 |
0 |
0 |
| Absence[;] A Farewell Ode on Quitting School for Jesus College,
Cambridge |
Coleridge |
2 |
4 |
0 |
0 |
| Happiness |
Coleridge |
2 |
16 |
0 |
0 |
| To Dissapointment
|
Coleridge |
0 |
3 |
0 |
0 |
| A Fragment Found in a Lecture-Room |
Coleridge |
1 |
2 |
0 |
0 |
| Ode |
Coleridge |
1 |
1 |
0 |
0 |
| Written After a Walk Before Supper |
Coleridge |
0 |
2 |
0 |
0 |
| Songs of the Pixies |
Coleridge |
1 |
3 |
0 |
0 |
| Moriens Superstiti |
Coleridge |
2 |
0 |
0 |
0 |
| The Sigh |
Coleridge |
1 |
0 |
0 |
0 |
| To a Young Lady[;] With a Poem in the French Revolution |
Coleridge |
0 |
5 |
0 |
0 |
| On the Prospect of Establishing a Pantisocracy in America |
Coleridge |
0 |
1 |
0 |
0 |
| Elegy[;] Imitated from One of Arkenside's Blank-Verse
Inscriptions |
Coleridge |
0 |
7 |
0 |
0 |
| The Faded Flower |
Coleridge |
0 |
1 |
0 |
0 |
| Domestic Peace |
Coleridge |
0 |
5 |
0 |
0 |
| To the Author of 'The Robbers' |
Coleridge |
0 |
1 |
0 |
0 |
| Melancholy; A Fragment |
Coleridge |
0 |
6 |
0 |
0 |
| To a Young Ass: Its Mother Being Tethered Near it |
Coleridge |
1 |
1 |
0 |
0 |
| Lines on a Friend Who Died of a Frenzy Fever Induced by Calumnious
Reports |
Coleridge |
1 |
5 |
0 |
0 |
| To the Honourable Mr. Erskine |
Coleridge |
1 |
5 |
0 |
0 |
| Burke |
Coleridge |
0 |
1 |
0 |
0 |
| Priestly |
Coleridge |
1 |
7 |
0 |
0 |
| Koskiusko |
Coleridge |
0 |
1 |
0 |
0 |
| Pitt |
Coleridge |
0 |
4 |
0 |
0 |
| To the Rev. W.L. Bowles |
Coleridge |
0 |
1 |
0 |
0 |
| To William Godwin; Author of 'Political Justice' |
Coleridge |
0 |
2 |
0 |
0 |
| To Robert Southey of Baliol College, Oxford, Author of the 'Retrospect'
and Other Poems |
Coleridge |
0 |
1 |
0 |
0 |
| To Richard Brinsley Sheridan, Esq. |
Coleridge |
0 |
1 |
0 |
0 |
| To Earl Stanhope |
Coleridge |
0 |
2 |
0 |
0 |
| To a Friend in Answer to a Melancholy Letter |
Coleridge |
4 |
0 |
0 |
0 |
| To the Rev. W. J. Hort While Teaching a Young Lady Some Song-Tunes on his
Flute |
Coleridge |
0 |
2 |
0 |
0 |
| To the Nightengale |
Coleridge |
0 |
1 |
0 |
0 |
| Lines in the Manner of Spencer |
Coleridge |
1 |
2 |
0 |
0 |
| The Hour when we Shall Meet Again |
Coleridge |
0 |
1 |
0 |
0 |
| Lines[;] Written at Shurton Bars, Near Bridgewater, September 1795, In
Answer to a Letter from Bristol |
Coleridge |
0 |
2 |
0 |
0 |
| The Eolian Harp[;] Composed at Clevendon, Somersetshire |
Coleridge |
0 |
1 |
0 |
0 |
| To the Author of Poems [Joseph Cottle][;] Published Anonymously at
Bristol in September 1795 |
Coleridge |
0 |
2 |
0 |
0 |
| Religious Musings[;] A Desultory Poem, Written in the Christmans Eve of
1794 |
Coleridge |
15 |
7 |
0 |
0 |
| Monody on the Death of Chatterton |
Coleridge |
4 |
9 |
0 |
0 |
| The Destiny of Nations[;] A Vision |
Coleridge |
3 |
2 |
0 |
0 |
| Addressed To J. Horne Tooke And The Company Who Met On June 28Th, 1796,
To Celebrate His Poll At The Westminster Election |
Coleridge |
1 |
1 |
0 |
0 |
| Sonnet [;] To Charles Lloyd |
Coleridge |
1 |
0 |
0 |
0 |
| To a Young Friend [;]on his Proposing to Domesticate with the Author
|
Coleridge |
0 |
2 |
0 |
0 |
| Addressed to a Young Man of Fortune [C. Lloyd] [;] Who Abandoned Himself
to an Indolent and Causless Melancholy |
Coleridge |
0 |
1 |
0 |
0 |
| Ode to the Departing Year |
Coleridge |
2 |
1 |
0 |
0 |
| The Rime of the Ancient Mariner[;] In Seven Parts |
Coleridge |
3 |
2 |
0 |
0 |
| To Simplicty [from Sonnets Attempted tn the Manner of Contemporary
Writers] |
Coleridge |
0 |
1 |
0 |
0 |
| Parliamentary Oscillators |
Coleridge |
0 |
1 |
0 |
0 |
| Fire, Famine, and Slaughter[;] A War Eclogue |
Coleridge |
0 |
3 |
0 |
0 |
| France: An Ode |
Coleridge |
1 |
7 |
0 |
0 |
| Fears in Solitude[;] Written in April, 1798, During the Alarm of an
Invasion |
Coleridge |
0 |
1 |
0 |
0 |
| Lines[;] Written in the Album at Elbingerode, in the Hartz Forest |
Coleridge |
0 |
1 |
0 |
0 |
| The Devil's Thoughts |
Coleridge |
0 |
1 |
0 |
0 |
| Hexameters[;] Paraphrase of Psalm XLVI |
Coleridge |
0 |
1 |
0 |
0 |
| Hymn to the Earth[;] [Imitated From Stolberg's Hymn and Die Erde]
Hexametetrs |
Coleridge |
1 |
7 |
0 |
0 |
| Love |
Coleridge |
1 |
0 |
0 |
0 |
| Ode to Georgiana, Duchess of Devonshire [;] On the Twenty-Fourth Stanza
in her 'Passage Over Mount Gouthard' |
Coleridge |
1 |
0 |
0 |
0 |
| Talleyrand to Lord Grenville[;] A Metric Epistle |
Coleridge |
0 |
3 |
0 |
0 |
| The Snow-Drop |
Coleridge |
1 |
0 |
0 |
0 |
| On Revisiting the Sea-Shore[;] After Long Absence, Under Strong Medical
Recommendation not to Bathe |
Coleridge |
0 |
2 |
0 |
0 |
| Dejection: An Ode |
Coleridge |
0 |
2 |
0 |
0 |
| To Matilda Betham from a Stranger |
Coleridge |
0 |
1 |
0 |
0 |
| Hymn bBefore Sun-Rise, in the Vale of Charmouni |
Coleridge |
0 |
1 |
0 |
0 |
| A Sunset |
Coleridge |
2 |
0 |
0 |
0 |
| The Blossoming of the Solitary Date Tree[;] A Lament |
Coleridge |
0 |
2 |
0 |
0 |
| To William Wordsworth[;] Composed on the Night After his Reaction of a
Poem in the Growth of an Individual Mind |
Coleridge |
0 |
2 |
0 |
0 |
| Two Sisters [Mary Morgan and Charlotte Bent][;] A Wanderer's
Farewell |
Coleridge |
1 |
2 |
0 |
0 |
| Reasons for Love's Blindness |
Coleridge |
4 |
0 |
0 |
0 |
| The Night-Scene[;] A Dramatic Fragment |
Coleridge |
0 |
1 |
0 |
0 |
| Human Life[;] On the Denial of Immortality |
Coleridge |
0 |
1 |
0 |
0 |
| Israel's Lament |
Coleridge |
0 |
2 |
0 |
0 |
| The Tears of a Grateful People |
Coleridge |
0 |
7 |
0 |
0 |
| Work Without Hope[;] Lines Composed 21st February 1825 |
Coleridge |
1 |
0 |
0 |
0 |
| Two Founts[;] Stanzas Addressed to a lady to her Recovery with
Unblemished Looks, From a Severe Attack of Pain |
Coleridge |
1 |
0 |
0 |
0 |
| The Pang More Sharp than All[;] An Allegory |
Coleridge |
3 |
6 |
0 |
0 |
| The Improvisatore[;] or, 'John Anderson, My Jo, John' |
Coleridge |
2 |
6 |
0 |
0 |
| The Garden of Boccacio |
Coleridge |
0 |
3 |
0 |
0 |
| Love, Hope, and Patience in Education |
Coleridge |
0 |
2 |
0 |
0 |
| Not at Home |
Coleridge |
2 |
8 |
0 |
0 |
| Reason |
Coleridge |
0 |
1 |
0 |
0 |
| Love's Appartition and Evanishment[;] An Allegoric Romance |
Coleridge |
0 |
6 |
0 |
0 |
| On the Death of a Young Lady, Cousin to the Author, and Very Dear to Him |
Byron |
2 |
0 |
0 |
0 |
| To D-- |
Byron |
0 |
2 |
0 |
0 |
| On a Change of Masters at a Great Public Schools |
Byron |
3 |
2 |
0 |
0 |
| Epitaph on a Beloved Friend |
Byron |
3 |
0 |
0 |
0 |
| On the Death of Mr. Fox |
Byron |
0 |
3 |
0 |
0 |
| To M.S.G. |
Byron |
0 |
1 |
0 |
0 |
| Childish Recollections |
Byron |
7 |
24 |
0 |
0 |
| Love's Last Adieu |
Byron |
1 |
0 |
0 |
0 |
| Lines Addressed to the Rev. J.T. Becher, on his Advising the Author to Mix More
with Society |
Byron |
0 |
2 |
0 |
0 |
| Answer to a Beautiful Poem Written by Montgomery, Author of 'The Wanderer in
Switzerland,' etc. Entitled 'The Common Lot' |
Byron |
1 |
0 |
0 |
0 |
| Elegy on Newstead Abbey |
Byron |
1 |
6 |
0 |
0 |
| To George Earl Delawarr |
Byron |
0 |
2 |
0 |
0 |
| To Marion |
Byron |
1 |
0 |
0 |
0 |
| From Anacron, Ode 3 |
Byron |
0 |
2 |
0 |
0 |
| The Episode of Nisus and Euralus[;] A Paraphrase from the "Æneid," Lib.9 |
Byron |
0 |
2 |
0 |
0 |
| To Romance |
Byron |
0 |
4 |
0 |
0 |
| To Edward Noel Long, Esq. |
Byron |
3 |
3 |
0 |
0 |
| To the Duke of Dorset |
Byron |
0 |
3 |
0 |
0 |
| To a Knot of Ungenerous Critics |
Byron |
1 |
6 |
0 |
0 |
| L'Amitié est L'Amour sans Ailes |
Byron |
7 |
0 |
0 |
0 |
| Ossian's Address to the Sun in "Carthon." |
Byron |
0 |
4 |
0 |
0 |
| The Adieu. Written Under the Impression that the Author Would Soon Die |
Byron |
2 |
2 |
0 |
0 |
| Fill the Goblet Again. A Song. |
Byron |
0 |
1 |
0 |
0 |
| English Bards and Scotch Reviewers |
Byron |
0 |
44 |
0 |
0 |
| Childe Harold's Pilgrimage - Canto the First[;] To Ianthe |
Byron |
1 |
0 |
0 |
0 |
| Childe Harold's Pilgrimage - Canto the First |
Byron |
1 |
2 |
0 |
0 |
| Childe Harold's Pilgrimage - Canto the First[;] Childe Harold's
Goodnight |
Byron |
13 |
30 |
0 |
0 |
| Childe Harold's Pilgrimage - Canto the Second |
Byron |
1 |
32 |
0 |
0 |
| Childe Harold's Pilgrimage - Canto the Third |
Byron |
24 |
27 |
0 |
0 |
| Childe Harold's Pilgrimage - Canto the Fourth |
Byron |
1 |
76 |
0 |
0 |
| To Florence |
Byron |
0 |
1 |
0 |
0 |
| Stanzas Composed During a Thunderstorm |
Byron |
0 |
1 |
0 |
0 |
| Stanzas Written in Passing the Ambrican Gulf |
Byron |
1 |
0 |
0 |
0 |
| From "The Monk of Athos" |
Byron |
0 |
1 |
0 |
0 |
| And Thou art Dead, As Young and Fair |
Byron |
1 |
1 |
0 |
0 |
| If Sometimes in the Haunts of Men |
Byron |
0 |
2 |
0 |
0 |
| Address, Spoken at the Opening of Drury-Lane Theatre, Saturday, October
10, 1812 |
Byron |
0 |
2 |
0 |
0 |
| On Being Asked What was the "Origin of love"
|
Byron |
3 |
0 |
0 |
0 |
| Impromptu, in Reply to a Friend |
Byron |
0 |
1 |
0 |
0 |
| The Giaour |
Byron |
3 |
13 |
0 |
0 |
| The Bride of Abydos[;] Canto the First |
Byron |
0 |
1 |
0 |
0 |
| The Bride of Abydos[;] Canto the Second |
Byron |
0 |
2 |
0 |
0 |
| Ode To Napoleon Buonaparte |
Byron |
0 |
5 |
0 |
0 |
| The Harp the Monarch Minstrel Swept |
Byron |
0 |
3 |
0 |
0 |
| The Wild Gazelle |
Byron |
0 |
1 |
0 |
0 |
| Oh! Weep for Those |
Byron |
0 |
1 |
0 |
0 |
| Oh! Snatched Away in Beauty's Bloom |
Byron |
0 |
2 |
0 |
0 |
| The Days are Done |
Byron |
0 |
1 |
0 |
0 |
| By the Rivers of Babylon we Sat and Wept |
Byron |
0 |
1 |
0 |
0 |
| By the Waters of Babylon |
Byron |
0 |
1 |
0 |
0 |
| Napoleon's Farewell. [From the French.] |
Byron |
0 |
3 |
0 |
0 |
| Ode from the French |
Byron |
0 |
7 |
0 |
0 |
| Stanzas for Music |
Byron |
0 |
1 |
0 |
0 |
| On the Star of "The Legion of Honour." |
Byron |
0 |
3 |
0 |
0 |
| A Sketch |
Byron |
0 |
1 |
0 |
0 |
| Stanzas to Augusta |
Byron |
0 |
1 |
0 |
0 |
| The Corsair: A Tale[;] Canto the First |
Byron |
0 |
14 |
0 |
0 |
| The Corsair: A Tale[;] Canto the Second |
Byron |
5 |
3 |
0 |
0 |
| The Corsair: A Tale[;] Canto the Third |
Byron |
19 |
6 |
0 |
0 |
| Lara: A Tale[;] Canto the First |
Byron |
1 |
5 |
0 |
0 |
| Lara: A Tale[;] Canto the Second |
Byron |
0 |
5 |
0 |
0 |
| The Siege of Corinth |
Byron |
0 |
28 |
0 |
0 |
| Darkness |
Byron |
3 |
0 |
0 |
0 |
| Epistle to Augusta |
Byron |
0 |
3 |
0 |
0 |
| Monody on the Death of the Right Hon. R. B. Sheridan, Spoken at
Drury-Lane Theatre, London |
Byron |
0 |
3 |
0 |
0 |
| The Lament of Tasso |
Byron |
0 |
1 |
0 |
0 |
| Beppo |
Byron |
2 |
11 |
0 |
0 |
| Ode on Venice |
Byron |
1 |
13 |
0 |
0 |
| Mazeppa |
Byron |
3 |
1 |
0 |
0 |
| The Prophecy of Dante[;] Canto the First |
Byron |
1 |
15 |
0 |
0 |
| The Prophecy of Dante[;] Canto the Second |
Byron |
0 |
5 |
0 |
0 |
| The Prophecy of Dante[;] Canto the Third |
Byron |
1 |
3 |
0 |
0 |
| The Prophecy of Dante[;] Canto the Fourth |
Byron |
0 |
2 |
0 |
0 |
| The Vision of Judgement |
Byron |
0 |
1 |
0 |
0 |
| A Very Mournful Ballad on the Siege and Conquest of Alhama |
Byron |
0 |
2 |
0 |
0 |
| Stanzas |
Byron |
14 |
0 |
0 |
0 |
| Ode to a Lady Whose Lover was Killed by a Ball Which at the Same Time
Shivered a Portrait Next his Heart |
Byron |
4 |
0 |
0 |
0 |
| The Irish Avatar |
Byron |
0 |
7 |
0 |
0 |
| Lines to Mr. Hodgson. Written on Board the Lisbon Packet
|
Byron |
0 |
1 |
0 |
0 |
| To Dives. A Fragment |
Byron |
0 |
1 |
0 |
0 |
| Farewell Petition to J.C.H., Esq. |
Byron |
0 |
1 |
0 |
0 |
| An Ode to the Framers of the Frame Bill |
Byron |
0 |
1 |
0 |
0 |