Dura Navis |
Coleridge |
2 |
0 |
0 |
0 |
To the Autumnal Moon Autumnal
Moon |
Coleridge |
0 |
3 |
0 |
0 |
Qua Nocent Docent |
Coleridge |
1 |
1 |
0 |
0 |
To the Muse |
Coleridge |
0 |
1 |
0 |
0 |
Destruction of the Bastille |
Coleridge |
0 |
2 |
0 |
0 |
Progress of Vice |
Coleridge |
0 |
3 |
0 |
0 |
Monody on the Death of Chatterton |
Coleridge |
0 |
9 |
0 |
0 |
To the Evening Star |
Coleridge |
0 |
3 |
0 |
0 |
On a Lady Weeping[;] Imitation From the Latin of Nicolaus Archius |
Coleridge |
2 |
0 |
0 |
0 |
Monody on a Tea-Kettle |
Coleridge |
0 |
2 |
0 |
0 |
Mathematical Problem |
Coleridge |
0 |
5 |
0 |
0 |
Honour |
Coleridge |
2 |
7 |
0 |
0 |
Music
|
Coleridge |
0 |
1 |
0 |
0 |
Sonnet[;] On Quitting School for College |
Coleridge |
0 |
1 |
0 |
0 |
Absence[;] A Farewell Ode on Quitting School for Jesus College,
Cambridge |
Coleridge |
2 |
4 |
0 |
0 |
Happiness |
Coleridge |
2 |
16 |
0 |
0 |
To Dissapointment
|
Coleridge |
0 |
3 |
0 |
0 |
A Fragment Found in a Lecture-Room |
Coleridge |
1 |
2 |
0 |
0 |
Ode |
Coleridge |
1 |
1 |
0 |
0 |
Written After a Walk Before Supper |
Coleridge |
0 |
2 |
0 |
0 |
Songs of the Pixies |
Coleridge |
1 |
3 |
0 |
0 |
Moriens Superstiti |
Coleridge |
2 |
0 |
0 |
0 |
The Sigh |
Coleridge |
1 |
0 |
0 |
0 |
To a Young Lady[;] With a Poem in the French Revolution |
Coleridge |
0 |
5 |
0 |
0 |
On the Prospect of Establishing a Pantisocracy in America |
Coleridge |
0 |
1 |
0 |
0 |
Elegy[;] Imitated from One of Arkenside's Blank-Verse
Inscriptions |
Coleridge |
0 |
7 |
0 |
0 |
The Faded Flower |
Coleridge |
0 |
1 |
0 |
0 |
Domestic Peace |
Coleridge |
0 |
5 |
0 |
0 |
To the Author of 'The Robbers' |
Coleridge |
0 |
1 |
0 |
0 |
Melancholy; A Fragment |
Coleridge |
0 |
6 |
0 |
0 |
To a Young Ass: Its Mother Being Tethered Near it |
Coleridge |
1 |
1 |
0 |
0 |
Lines on a Friend Who Died of a Frenzy Fever Induced by Calumnious
Reports |
Coleridge |
1 |
5 |
0 |
0 |
To the Honourable Mr. Erskine |
Coleridge |
1 |
5 |
0 |
0 |
Burke |
Coleridge |
0 |
1 |
0 |
0 |
Priestly |
Coleridge |
1 |
7 |
0 |
0 |
Koskiusko |
Coleridge |
0 |
1 |
0 |
0 |
Pitt |
Coleridge |
0 |
4 |
0 |
0 |
To the Rev. W.L. Bowles |
Coleridge |
0 |
1 |
0 |
0 |
To William Godwin; Author of 'Political Justice' |
Coleridge |
0 |
2 |
0 |
0 |
To Robert Southey of Baliol College, Oxford, Author of the 'Retrospect'
and Other Poems |
Coleridge |
0 |
1 |
0 |
0 |
To Richard Brinsley Sheridan, Esq. |
Coleridge |
0 |
1 |
0 |
0 |
To Earl Stanhope |
Coleridge |
0 |
2 |
0 |
0 |
To a Friend in Answer to a Melancholy Letter |
Coleridge |
4 |
0 |
0 |
0 |
To the Rev. W. J. Hort While Teaching a Young Lady Some Song-Tunes on his
Flute |
Coleridge |
0 |
2 |
0 |
0 |
To the Nightengale |
Coleridge |
0 |
1 |
0 |
0 |
Lines in the Manner of Spencer |
Coleridge |
1 |
2 |
0 |
0 |
The Hour when we Shall Meet Again |
Coleridge |
0 |
1 |
0 |
0 |
Lines[;] Written at Shurton Bars, Near Bridgewater, September 1795, In
Answer to a Letter from Bristol |
Coleridge |
0 |
2 |
0 |
0 |
The Eolian Harp[;] Composed at Clevendon, Somersetshire |
Coleridge |
0 |
1 |
0 |
0 |
To the Author of Poems [Joseph Cottle][;] Published Anonymously at
Bristol in September 1795 |
Coleridge |
0 |
2 |
0 |
0 |
Religious Musings[;] A Desultory Poem, Written in the Christmans Eve of
1794 |
Coleridge |
15 |
7 |
0 |
0 |
Monody on the Death of Chatterton |
Coleridge |
4 |
9 |
0 |
0 |
The Destiny of Nations[;] A Vision |
Coleridge |
3 |
2 |
0 |
0 |
Addressed To J. Horne Tooke And The Company Who Met On June 28Th, 1796,
To Celebrate His Poll At The Westminster Election |
Coleridge |
1 |
1 |
0 |
0 |
Sonnet [;] To Charles Lloyd |
Coleridge |
1 |
0 |
0 |
0 |
To a Young Friend [;]on his Proposing to Domesticate with the Author
|
Coleridge |
0 |
2 |
0 |
0 |
Addressed to a Young Man of Fortune [C. Lloyd] [;] Who Abandoned Himself
to an Indolent and Causless Melancholy |
Coleridge |
0 |
1 |
0 |
0 |
Ode to the Departing Year |
Coleridge |
2 |
1 |
0 |
0 |
The Rime of the Ancient Mariner[;] In Seven Parts |
Coleridge |
3 |
2 |
0 |
0 |
To Simplicty [from Sonnets Attempted tn the Manner of Contemporary
Writers] |
Coleridge |
0 |
1 |
0 |
0 |
Parliamentary Oscillators |
Coleridge |
0 |
1 |
0 |
0 |
Fire, Famine, and Slaughter[;] A War Eclogue |
Coleridge |
0 |
3 |
0 |
0 |
France: An Ode |
Coleridge |
1 |
7 |
0 |
0 |
Fears in Solitude[;] Written in April, 1798, During the Alarm of an
Invasion |
Coleridge |
0 |
1 |
0 |
0 |
Lines[;] Written in the Album at Elbingerode, in the Hartz Forest |
Coleridge |
0 |
1 |
0 |
0 |
The Devil's Thoughts |
Coleridge |
0 |
1 |
0 |
0 |
Hexameters[;] Paraphrase of Psalm XLVI |
Coleridge |
0 |
1 |
0 |
0 |
Hymn to the Earth[;] [Imitated From Stolberg's Hymn and Die Erde]
Hexametetrs |
Coleridge |
1 |
7 |
0 |
0 |
Love |
Coleridge |
1 |
0 |
0 |
0 |
Ode to Georgiana, Duchess of Devonshire [;] On the Twenty-Fourth Stanza
in her 'Passage Over Mount Gouthard' |
Coleridge |
1 |
0 |
0 |
0 |
Talleyrand to Lord Grenville[;] A Metric Epistle |
Coleridge |
0 |
3 |
0 |
0 |
The Snow-Drop |
Coleridge |
1 |
0 |
0 |
0 |
On Revisiting the Sea-Shore[;] After Long Absence, Under Strong Medical
Recommendation not to Bathe |
Coleridge |
0 |
2 |
0 |
0 |
Dejection: An Ode |
Coleridge |
0 |
2 |
0 |
0 |
To Matilda Betham from a Stranger |
Coleridge |
0 |
1 |
0 |
0 |
Hymn bBefore Sun-Rise, in the Vale of Charmouni |
Coleridge |
0 |
1 |
0 |
0 |
A Sunset |
Coleridge |
2 |
0 |
0 |
0 |
The Blossoming of the Solitary Date Tree[;] A Lament |
Coleridge |
0 |
2 |
0 |
0 |
To William Wordsworth[;] Composed on the Night After his Reaction of a
Poem in the Growth of an Individual Mind |
Coleridge |
0 |
2 |
0 |
0 |
Two Sisters [Mary Morgan and Charlotte Bent][;] A Wanderer's
Farewell |
Coleridge |
1 |
2 |
0 |
0 |
Reasons for Love's Blindness |
Coleridge |
4 |
0 |
0 |
0 |
The Night-Scene[;] A Dramatic Fragment |
Coleridge |
0 |
1 |
0 |
0 |
Human Life[;] On the Denial of Immortality |
Coleridge |
0 |
1 |
0 |
0 |
Israel's Lament |
Coleridge |
0 |
2 |
0 |
0 |
The Tears of a Grateful People |
Coleridge |
0 |
7 |
0 |
0 |
Work Without Hope[;] Lines Composed 21st February 1825 |
Coleridge |
1 |
0 |
0 |
0 |
Two Founts[;] Stanzas Addressed to a lady to her Recovery with
Unblemished Looks, From a Severe Attack of Pain |
Coleridge |
1 |
0 |
0 |
0 |
The Pang More Sharp than All[;] An Allegory |
Coleridge |
3 |
6 |
0 |
0 |
The Improvisatore[;] or, 'John Anderson, My Jo, John' |
Coleridge |
2 |
6 |
0 |
0 |
The Garden of Boccacio |
Coleridge |
0 |
3 |
0 |
0 |
Love, Hope, and Patience in Education |
Coleridge |
0 |
2 |
0 |
0 |
Not at Home |
Coleridge |
2 |
8 |
0 |
0 |
Reason |
Coleridge |
0 |
1 |
0 |
0 |
Love's Appartition and Evanishment[;] An Allegoric Romance |
Coleridge |
0 |
6 |
0 |
0 |
On the Death of a Young Lady, Cousin to the Author, and Very Dear to Him |
Byron |
2 |
0 |
0 |
0 |
To D-- |
Byron |
0 |
2 |
0 |
0 |
On a Change of Masters at a Great Public Schools |
Byron |
3 |
2 |
0 |
0 |
Epitaph on a Beloved Friend |
Byron |
3 |
0 |
0 |
0 |
On the Death of Mr. Fox |
Byron |
0 |
3 |
0 |
0 |
To M.S.G. |
Byron |
0 |
1 |
0 |
0 |
Childish Recollections |
Byron |
7 |
24 |
0 |
0 |
Love's Last Adieu |
Byron |
1 |
0 |
0 |
0 |
Lines Addressed to the Rev. J.T. Becher, on his Advising the Author to Mix More
with Society |
Byron |
0 |
2 |
0 |
0 |
Answer to a Beautiful Poem Written by Montgomery, Author of 'The Wanderer in
Switzerland,' etc. Entitled 'The Common Lot' |
Byron |
1 |
0 |
0 |
0 |
Elegy on Newstead Abbey |
Byron |
1 |
6 |
0 |
0 |
To George Earl Delawarr |
Byron |
0 |
2 |
0 |
0 |
To Marion |
Byron |
1 |
0 |
0 |
0 |
From Anacron, Ode 3 |
Byron |
0 |
2 |
0 |
0 |
The Episode of Nisus and Euralus[;] A Paraphrase from the "Æneid," Lib.9 |
Byron |
0 |
2 |
0 |
0 |
To Romance |
Byron |
0 |
4 |
0 |
0 |
To Edward Noel Long, Esq. |
Byron |
3 |
3 |
0 |
0 |
To the Duke of Dorset |
Byron |
0 |
3 |
0 |
0 |
To a Knot of Ungenerous Critics |
Byron |
1 |
6 |
0 |
0 |
L'Amitié est L'Amour sans Ailes |
Byron |
7 |
0 |
0 |
0 |
Ossian's Address to the Sun in "Carthon." |
Byron |
0 |
4 |
0 |
0 |
The Adieu. Written Under the Impression that the Author Would Soon Die |
Byron |
2 |
2 |
0 |
0 |
Fill the Goblet Again. A Song. |
Byron |
0 |
1 |
0 |
0 |
English Bards and Scotch Reviewers |
Byron |
0 |
44 |
0 |
0 |
Childe Harold's Pilgrimage - Canto the First[;] To Ianthe |
Byron |
1 |
0 |
0 |
0 |
Childe Harold's Pilgrimage - Canto the First |
Byron |
1 |
2 |
0 |
0 |
Childe Harold's Pilgrimage - Canto the First[;] Childe Harold's
Goodnight |
Byron |
13 |
30 |
0 |
0 |
Childe Harold's Pilgrimage - Canto the Second |
Byron |
1 |
32 |
0 |
0 |
Childe Harold's Pilgrimage - Canto the Third |
Byron |
24 |
27 |
0 |
0 |
Childe Harold's Pilgrimage - Canto the Fourth |
Byron |
1 |
76 |
0 |
0 |
To Florence |
Byron |
0 |
1 |
0 |
0 |
Stanzas Composed During a Thunderstorm |
Byron |
0 |
1 |
0 |
0 |
Stanzas Written in Passing the Ambrican Gulf |
Byron |
1 |
0 |
0 |
0 |
From "The Monk of Athos" |
Byron |
0 |
1 |
0 |
0 |
And Thou art Dead, As Young and Fair |
Byron |
1 |
1 |
0 |
0 |
If Sometimes in the Haunts of Men |
Byron |
0 |
2 |
0 |
0 |
Address, Spoken at the Opening of Drury-Lane Theatre, Saturday, October
10, 1812 |
Byron |
0 |
2 |
0 |
0 |
On Being Asked What was the "Origin of love"
|
Byron |
3 |
0 |
0 |
0 |
Impromptu, in Reply to a Friend |
Byron |
0 |
1 |
0 |
0 |
The Giaour |
Byron |
3 |
13 |
0 |
0 |
The Bride of Abydos[;] Canto the First |
Byron |
0 |
1 |
0 |
0 |
The Bride of Abydos[;] Canto the Second |
Byron |
0 |
2 |
0 |
0 |
Ode To Napoleon Buonaparte |
Byron |
0 |
5 |
0 |
0 |
The Harp the Monarch Minstrel Swept |
Byron |
0 |
3 |
0 |
0 |
The Wild Gazelle |
Byron |
0 |
1 |
0 |
0 |
Oh! Weep for Those |
Byron |
0 |
1 |
0 |
0 |
Oh! Snatched Away in Beauty's Bloom |
Byron |
0 |
2 |
0 |
0 |
The Days are Done |
Byron |
0 |
1 |
0 |
0 |
By the Rivers of Babylon we Sat and Wept |
Byron |
0 |
1 |
0 |
0 |
By the Waters of Babylon |
Byron |
0 |
1 |
0 |
0 |
Napoleon's Farewell. [From the French.] |
Byron |
0 |
3 |
0 |
0 |
Ode from the French |
Byron |
0 |
7 |
0 |
0 |
Stanzas for Music |
Byron |
0 |
1 |
0 |
0 |
On the Star of "The Legion of Honour." |
Byron |
0 |
3 |
0 |
0 |
A Sketch |
Byron |
0 |
1 |
0 |
0 |
Stanzas to Augusta |
Byron |
0 |
1 |
0 |
0 |
The Corsair: A Tale[;] Canto the First |
Byron |
0 |
14 |
0 |
0 |
The Corsair: A Tale[;] Canto the Second |
Byron |
5 |
3 |
0 |
0 |
The Corsair: A Tale[;] Canto the Third |
Byron |
19 |
6 |
0 |
0 |
Lara: A Tale[;] Canto the First |
Byron |
1 |
5 |
0 |
0 |
Lara: A Tale[;] Canto the Second |
Byron |
0 |
5 |
0 |
0 |
The Siege of Corinth |
Byron |
0 |
28 |
0 |
0 |
Darkness |
Byron |
3 |
0 |
0 |
0 |
Epistle to Augusta |
Byron |
0 |
3 |
0 |
0 |
Monody on the Death of the Right Hon. R. B. Sheridan, Spoken at
Drury-Lane Theatre, London |
Byron |
0 |
3 |
0 |
0 |
The Lament of Tasso |
Byron |
0 |
1 |
0 |
0 |
Beppo |
Byron |
2 |
11 |
0 |
0 |
Ode on Venice |
Byron |
1 |
13 |
0 |
0 |
Mazeppa |
Byron |
3 |
1 |
0 |
0 |
The Prophecy of Dante[;] Canto the First |
Byron |
1 |
15 |
0 |
0 |
The Prophecy of Dante[;] Canto the Second |
Byron |
0 |
5 |
0 |
0 |
The Prophecy of Dante[;] Canto the Third |
Byron |
1 |
3 |
0 |
0 |
The Prophecy of Dante[;] Canto the Fourth |
Byron |
0 |
2 |
0 |
0 |
The Vision of Judgement |
Byron |
0 |
1 |
0 |
0 |
A Very Mournful Ballad on the Siege and Conquest of Alhama |
Byron |
0 |
2 |
0 |
0 |
Stanzas |
Byron |
14 |
0 |
0 |
0 |
Ode to a Lady Whose Lover was Killed by a Ball Which at the Same Time
Shivered a Portrait Next his Heart |
Byron |
4 |
0 |
0 |
0 |
The Irish Avatar |
Byron |
0 |
7 |
0 |
0 |
Lines to Mr. Hodgson. Written on Board the Lisbon Packet
|
Byron |
0 |
1 |
0 |
0 |
To Dives. A Fragment |
Byron |
0 |
1 |
0 |
0 |
Farewell Petition to J.C.H., Esq. |
Byron |
0 |
1 |
0 |
0 |
An Ode to the Framers of the Frame Bill |
Byron |
0 |
1 |
0 |
0 |